Reason, then revolution

For years, when our children were young — before they grew up and moved away, as children do — my neighborhood held a Fourth of July parade. The kids decorated their bikes, and we went around the block waving flags and blasting patriotic music from a boombox.

And every year I was tempted to buy myself a periwig, breeches and waistcoat — the whole 18th-century ensemble — and read the Declaration of Independence before the parade started. Who knows? I still might do it someday to wear to one of the barbecues we continue to hold.

I think it would work as long as I kept to the Declaration’s first couple of paragraphs and its rousing conclusion about pledging lives, fortunes and sacred honor. But the litany of grievances against King George III might test my audience’s patience, even as they recognized uncomfortable parallels between England’s mad king and our own current leadership madness, which unfortunately coincides with this year’s 250th birthday bash.

The Declaration of Independence, printed by John Dunlap in Philadelphia.

If asked about the Declaration of Independence, I suspect most Americans would mention the phrases “all men are created equal” and “Life, Liberty and the pursuit of Happiness,” then pretty much be stumped to go much further. Some might add “We the people” to the mix, confusing the Declaration with the Constitution; a few might even throw out “government of the people, by the people, for the people,” jumping ahead 87 years to Lincoln’s Gettysburg Address.

This conflation of phrases is understandable. The Declaration, the Constitution and the Gettysburg Address are each founding documents in their own way. The Declaration announces our basic ideals, the Constitution establishes our government’s legal framework, and the Gettysburg Address anticipates “a new birth of freedom” after the Civil War, a nation redefined around the principle the Declaration proclaimed but the country had never fully embraced.

That rebirth remains unfinished. It stalled when we abandoned Reconstruction, found new life during the Civil Rights Movement, and now seems in danger of being abandoned again. Let’s hope another renewal lies ahead.

The Declaration’s power, though, isn’t limited to its “self-evident” truths and “unalienable Rights.” (Note that life, liberty and the pursuit of happiness are among our rights. We have many more*.) I admire the Declaration because it is a monument to reasoned argument. The Founders believed that “a decent respect to the opinions of mankind” required them to explain to the world why they wanted to break with Britain. They insisted they were not acting for “light and transient causes”; they weren’t motivated by a mere fit of anti-government pique, as someone of the era might describe it. Independence was declared only after “patient sufferance” and repeated appeals to a king and Parliament “deaf to the voice of justice.”

Oh, sure, some of the Declaration’s grievances might be a little self-serving and “too much like scolding,” as John Adams noted. (Adams also regretted the removal of a section condemning slavery.) Even so, among all the things the Fourth of July stands for, it stands for a group of men gathered to debate, revise and refine 1,300 words. It stands for informed persuasion.

A hot take it is not.

Independence was not a given in July 1776. Many Americans were initially skeptical of declaring it. But those words sealed the deal. The least we can do is read them.

No wig or breeches necessary. You don’t even need a parade.

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*The Bill of Rights would later lock us into thinking that the rights it lists are the only rights we possess, as Alexander Hamilton feared it would. The Ninth Amendment tries to remind us otherwise: “The enumeration in the Constitution, of certain rights, shall not be construed to deny or disparage others retained by the people.”

The prankster who proved we’ll click anything

Before the day ends, I want to write a short something about Paul Horner, who died eight years ago on Sept. 18, 2017. He was 38.

Who was Paul Horner? A prankster, best known for comic viral hoaxes and fake news stories. And I mean actual fake news, the kind that’s entirely made up — not the news dismissed as “fake” by people who don’t like what it says or because it challenges their views.

To Horner, the joke was always on the person who clicked “share.” His work often fooled media outlets, trolled conservative figures and baited culture warriors. During the 2016 presidential election he aimed much of his absurd fabrications at Donald Trump and his sycophants, convinced that their eager sharing of such clearly made-up nonsense would ultimately drive voters away. Horner believed in the corrective power of fact-checking. (H.L. Mencken could have told him a thing or two about underestimating the public’s intelligence.)

I have mixed feelings about Horner’s work. He considered himself a satirist; I suspect he was more motivated by a desire to make mischief than provoke thought. At the very least, he naively failed to understand that satire — humor in general — is often lost on many people, especially those primed to be butthurt at the slightest perceived wrong.

Few remember Paul Horner or his hoaxes now. Unfortunately, the outrage addiction he exposed is more alive than ever.

My top 10 movies of the 21st century (give or take)

The New York Times this week released its list of the 100 best movies of the 21st century and invited readers to vote for their top 10. The movie buff and former film critic in me couldn’t resist.

I’ve seen 81 of the films on the Times’ list. Many of the remaining 19 have been sitting on my watchlist for years. Now I’m motivated to finally check them off.

Meanwhile, here’s the top 10 ballot I submitted to the Times. Well, my top 10 list as of this moment. Ask me tomorrow and a few titles probably swap places with others that didn’t make the top cut.

But why stop at 10?

Here is a longer list of favorites, films that, for one reason or another, stand out to me among the hundreds of movies I’ve seen over the past 25 years. They’re listed chronologically, without commentary. Maybe I’ll write more about some of them one day. Maybe not. We’ll see.

2001
Ghost World
Shrek
Monsters, Inc.
Mulholland Drive
Y Tu Mamá También

2003
Dogville
Finding Nemo
School of Rock

2004
Anchorman: The Legend of Ron Burgundy
Eternal Sunshine of the Spotless Mind
Napoleon Dynamite

2005
Grizzly Man
Match Point
The New World

2006
Borat
Children of Men
The Departed
The Lives of Others

2007
Hannah Takes the Stairs
Juno
Lars and the Real Girl
No Country for Old Men
Ratatouille
There Will Be Blood

2008
The Dark Knight
In Bruges

2009
District 9
Dogtooth
Fantastic Mr. Fox
Fish Tank
Inglourious Basterds
A Serious Man
Up in the Air

2010
The Social Network
Winter’s Bone

2011
The Cabin in the Woods
Melancholia
Midnight in Paris
Oslo, August 31st
The Tree of Life

2012
Moonrise Kingdom
Starlet

2013
American Hustle
Blue Is the Warmest Color
Gravity
Her
Ida

2014
Boyhood
Force Majeure
A Girl Walks Home Alone at Night
The Grand Budapest Hotel
A Pigeon Sat on a Branch Reflecting on Existence
Under the Skin

2015
The Big Short
Brooklyn
Crimson Peak
Ex Machina
The Lure
Mad Max: Fury Road
The Witch

2016
Arrival
Hell or High Water
Lady Macbeth

2017
The Florida Project
Get Out
A Ghost Story
I, Tonya
The Killing of a Sacred Deer
Phantom Thread
Twin Peaks: The Return

2018
Cold War
Damsel
Hereditary
Leave No Trace

2019
About Endlessness
Beanpole
JoJo Rabbit
The Lighthouse
Midsommar
Portrait of a Lady on Fire
Uncut Gems
Us

2021
Pig
The Worst Person in the World

2022
Aftersun
The Menu
Tár
You Won’t Be Alone
X

2023
May December
Oppenheimer
The Zone of Interest

One final note: The New York Times’ list should really be titled “The 100 Best Movies of the 2000s,” since it includes a handful of films that were released in 2000. I hate to be that guy, but the 21st century began on Jan. 1, 2001, not 2000. (Look it up if you don’t know why.) It bugs me when people — and worse, publications of record — don’t or refuse to get that right.

If we are counting 2000 as the start of the century, then I’m adding Lars von Trier’s Dancer in the Dark and Alejandro González Iñárritu’s Amores Perros to my big list. Dancer in the Dark might even crack my top 10. Definitely top 20.

And do you consider Twin Peaks: The Return a film? I’m on board with those critics and publications that do. A few even named it the best film of 2017 and the best film of the 2010s.

Juneteenth and the wreckage of Reconstruction

As we mark Juneteenth today — the day in 1865 when Union troops under Maj. Gen. Gordon Granger arrived in Galveston to enforce emancipation in Texas1 — it’s worth asking: What could America have become if Reconstruction hadn’t been sabotaged from the start?

I’ve become deeply interested in the Reconstruction era over the past few years. When I was in school in Texas, Reconstruction was barely taught in our American history courses. And what little we were taught largely echoed the “Lost Cause” narrative, framing Reconstruction as a period of Northern misrule symbolized by corrupt carpetbaggers and inept governance. I suspect the story is still largely skimmed over.

Woodcut of Maj. Gen. Gorden Granger from The Galveston Daily News, June 21, 1865.

Reconstruction was meant to be a national rebirth after centuries of slavery and four years of bloody civil war. Robert E. Lee’s surrender to Ulysses S. Grant on April 9, 1865, briefly opened a window when it seemed possible the country might remake itself into a multiracial democracy. But that possibility was derailed early, helped along by a disastrous political choice: Abraham Lincoln’s decision to replace Vice President Hannibal Hamlin with Andrew Johnson, a Southern Democrat from Tennessee who had remained loyal to the Union but was an unapologetic white supremacist. The switch was made in the name of national “unity” for the 1864 ticket.

It was one of the biggest mistakes in American history. We can never know how Hamlin might have governed after Lincoln’s assassination on April 15, 1865, but we do know what Johnson did. His “restoration” policies immediately began to unravel the fragile gains of emancipation. He gave power back to former Confederate leaders, many of whom should have been put on trial for treason, and favored the protection of wealthy plantation owners over redistributing land to freed people. He overturned Gen. William Sherman’s famous “40 acres and a mule” orders. The effort to rebuild America under “a new birth of freedom,” as Lincoln imagined at Gettysburg, never fully recovered.

Donald Trump is doing his best to seize the title of worst president ever, and figures like James Buchanan, Warren Harding, Richard Nixon and George W. Bush all have their claims. But Andrew Johnson remains secure, for now, at the bottom of most presidential rankings.

Freedmen’s Bureau office in Memphis, circa 1866. The Freedmen’s Bureau was a federal initiative aimed at aiding formerly enslaved people.

Eventually, congressional Republicans managed to wrest control from Johnson, impeaching him but failing to convict him by a single vote. They pursued a different vision, creating a promising glimpse of what a just America might have looked like. But violent white backlash and the rise of so-called Redeemer governments in the South and Northern fatigue over a long, messy struggle for racial justice crushed that vision.

The Compromise of 1877 resolved the contested 1876 election in favor of Republican Rutherford Hayes in exchange for the withdrawal of federal troops from the South, ending Reconstruction. The federal government and much of the North simply walked away. A century of Jim Crow segregation, disenfranchisement and racial terror followed. Reconstruction gave way to an American apartheid.

Juneteenth is a celebration of freedom. It’s also a reminder of a lost promise. It’s a reminder that emancipation alone didn’t secure justice or equality.

Reconstruction stands as a tragic story of failure: the failure to hold traitors accountable, the failure to enforce lasting conditions for readmission to the Union, and the failure to reckon with the racism that has always run deep in the American character.

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1Granger’s General Order No. 3 informed Texans that “all slaves are free,” but it also instructed that freed people should “remain quietly at their present homes and work for wages.” It warned “that they will not be supported in idleness.” While the order marked the end of slavery in Texas, it reinforced racial hierarchies and foreshadowed the limited and conditional nature of freedom that would undermine Reconstruction from the start.

The past behind the curtain: Musk reboots a failed future

Amid reports that Elon Musk may soon leave his role as a “special government employee” — although, like most things involving the Trump White House, clarity is elusive — historian and New Yorker writer Jill Lepore recently wrote a New York Times op-ed titled “The Failed Ideas That Drive Elon Musk.” In the piece, Lepore argues that Musk, despite his reputation as a futurist, is actually recycling dusty ideas from the past — specifically technocracy, a 1930s-era movement that imagined a society run by scientists and engineers instead of elected leaders.

Elon Musk’s maternal grandfather, Joshua Haldeman, circa 1945.

Lepore traces Musk’s ideological roots to his maternal grandfather, Joshua Haldeman, a Canadian technocracy leader and conspiracy theorist who later moved to apartheid South Africa and espoused racist and anti-democratic views. Musk’s push to cut government programs, replace workers with AI and impose efficiency-driven reforms echoes the technocratic dream of a depoliticized, elite-run society.

Lepore also connects Musk’s rhetoric and goals with other early 20th century ideas, including futurist and fascist manifestos by Italy’s Filippo Tommaso Marinetti. These works glorified aggression, hierarchy and technological dominance.

“Few figures in public life are more shackled to the past,” Lepore writes of Musk.

Thus, Musk doesn’t represent a leap forward but a regression. He’s attempting to reboot a future that already failed.

“Muskism isn’t the beginning of the future,” Lepore writes. “It’s the end of a story that started more than a century ago, in the conflict between capital and labor and between autocracy and democracy. The Gilded Age of robber barons and wage-labor strikes gave rise to the Bolshevik Revolution, Communism, the first Red Scare, World War I and Fascism. That battle of ideas produced the technocracy movement, and far more lastingly, it also produced the New Deal and modern American liberalism. Technocracy lost because technocracy is incompatible with freedom.”

I have often found it ironic that many of today’s Silicon Valley billionaires and tech bros fashion themselves as libertarian “technological supermen” when their entire industry rests on a foundation of federal research and development — from semiconductors to GPS to the internet itself. Without the massive public funding of the 1950s, ’60s and ’70s, Silicon Valley wouldn’t exist to disrupt anything.

What does Musk want?

A cheeky poster in London. The British have a tradition of political mockery that stands in sharp contrast to the often more sanitized style of American political satire. “There’s something campy and ridiculous about Musk’s brand of toxicity. And it opens up a real space to ridicule,” John Gorenfeld of London recently told The New York Times.

So, what does Musk, in the guise of his so-called Department of Government Efficiency, want from the government he seems so eager to dismantle?

In a recent appearance on The Focus Group podcast, tech journalist Kara Swisher, who has covered Musk for years and probably knows him better than anyone not impregnated by him — indeed, who probably knows Musk better than anyone, even those impregnated by him — said he’s motivated by two things: “One he wants to go to Mars, and he needs the government to pay for it. … And then two, he wants the data so his AI will be bigger than other AIs.”

As she also put it: “Why do you rob banks? Because that’s where the money is. Why do you rob government agencies? Because that’s where the data is.”

Mars remains a distant ambition limited by the ginormous costs, need for extended human life support systems, propulsion and radiation shielding, and the physical and psychological challenges of long-term space travel.

As for the data, I fear Musk will soon succeed in stealing it, if he hasn’t succeeded already.

DOGE and the theater of efficiency

DOGE claims that it has saved the federal government $150 billion. That may sound like a hefty number, until you compare it with the $2 trillion in cuts Musk once promised, or even his more recent $1 trillion revision. As The New York Times reported Thursday, it’s not clear how much more beyond the claimed $150 billion Musk expects his DOGE team to find.

DOGE’s claim, based on a fuzzy list of asset sales, lease cancellations, and contract and grant cuts, is also smaller than the $154 billion increase in federal spending since Trump’s inauguration on Jan. 20, compared with the same three-month period in 2024, The Wall Street Journal reported Friday.

As The Washington Post’s Catherine Rampell put it in a recent column, “How DOGE is making government almost comically inefficient,” Musk isn’t really interested in improving government performance. To paraphrase one of Rampell’s astute readers commenting on her article, DOGE is a political tool designed to undermine regulatory agencies, destabilize the civil service and make it harder for government to function, especially in ways that inconvenience Musk and his fellow plutocrats. And it doesn’t hurt that DOGE is good political theater for the cruelty-loving MAGA crowd.

The danger in Musk’s vision, which fits comfortably within the decadeslong right-wing push to undo the New Deal, lies not only in his embrace of a modern version of his grandfather’s technocratic fantasy, but also in what he’s willing to destroy to achieve it.